“This play… is unfortunately timeless, and so relevant right now.” Interview with Arlen Aguayo Stewart who plays Alex in ARC’s production of Stef Smith’s HUMAN ANIMALS.
“You can expect a warm and inviting space.” Our feature on Shira Leuchter about “Lost Together”, her live art performance with co-creator Michaela Washburn at Progress Festival
Is OTHELLO a racist play or a play about racism? You decide. Shakespeare BASH’d’s new production of OTHELLO runs Feb 5 – 10. We chatted with E.B Smith (Othello) and Catherine Rainville (Desdemona)
HOOK UP, a world-premiere opera for teens, explores questions of privacy, consent, and power. Our interview with creators Chris Thornborrow (composer) and Julie Tepperman (librettist)
There’s something about Mary… Stephen Massicote’s exquisite WWI play MARY’S WEDDING makes its Toronto debut, starring Kate Ross & Fraser Elsdon. Our interview with Kate Ross!
Choreographer Marie Lambin-Gagnon’s new performance installation SLOW DANCE is one half of TDT’s 51st season-opening double bill. Here is our interview with Marie!
Julie Tomaino’s lively production of HAIR is just the sunny panacea for the January doldrums. On stage at Hart House Theatre until Feb 2. Details in our review.
Ellen Denny’s play WONDER combines movement, science and history to tell the story of trailblazing scientist Harriet Brooks, the first female nuclear physicist in Canada and Denny’s great-great aunt.
How much is too much? Marie Barlizo’s LUCKY draws on the true story of Jennifer Pan to explore the effects of extreme parental expectations on the children of Asian immigrants.
Toronto International Ballet Theatre’s THE NUTCRACKER, choreographed by Tatiana Stepanova and featuring Bolshoi Ballet principal dancers Anastasia Stashkevich & Vyacheslav Lopatin, ushers in Christmas