Scott Sneddon’s review of The Second City’s Unconventional Holiday Revue
Kaitlyn Riordan’s Portia’s Julius Caesar, now onstage at Hart House Theatre, provides a feminist counterweight to one of Shakespeare’s most masculine plays. In Shakespeare’s Julius Caesar, hubristic Roman noblemen tie themselves in verbal knots to justify actions that manipulate the people and shake the body politic. The title character Caesar is murdered in Act III […]
“Amidst the moments of mockery – a surprising emotional core rings true.” Scott Sneddon reviews THE WILD THINGS, which opened East Side Player’s new season.
“Utterly unlike any other musical I have ever seen, GIRL FROM THE NORTH COUNTRY haunts me”. Scott Sneddon on the Conor McPherson’s and Bob Dylan’s musical, receiving its Canadian premiere at Mirvish Productions
“It’s fun to experience individual episodes getting a detailed send-up, and the ‘blink-and-you’ll-miss-them’ throwaway references” – but the parody and the laughter stay at the surface. That’s what he said. Scott Sneddon reviews The Office! A Musical Parody
Our conversation with Cara Gee about her return to the stage in Soulpepper’s FOOL FOR LOVE, the character of May, and the upside of a summer in Toronto
The actors are “individually winning, and they mesh brilliantly as an ensemble.” Full details in Scott Sneddon’s review of Madeleine Brown’s NEWS PLAY at the Toronto Fringe
“At its core, Fox Woman is an achingly simple, resonant story told and re-told in deeply powerful ways by two virtuoso performers.” Read Scott Sneddon’s full review of Fox Woman
Interview with Frank Cox-O’Connell, performing in Soulpepper’s sold-out run of “Wedding at Aulis”, Sina Gilani’s version of “Iphigenia at Aulis” by Euripides.
Scott Sneddon: “Like Toronto at its best, ‘Walking on Bombshells’ is fast-paced, hilarious and has surprising heart. It’s a welcome apolitical evening of comedy catharsis.”