“This play… is unfortunately timeless, and so relevant right now.” Interview with Arlen Aguayo Stewart who plays Alex in ARC’s production of Stef Smith’s HUMAN ANIMALS.
“You can expect a warm and inviting space.” Our feature on Shira Leuchter about “Lost Together”, her live art performance with co-creator Michaela Washburn at Progress Festival
HOOK UP, a world-premiere opera for teens, explores questions of privacy, consent, and power. Our interview with creators Chris Thornborrow (composer) and Julie Tepperman (librettist)
How much is too much? Marie Barlizo’s LUCKY draws on the true story of Jennifer Pan to explore the effects of extreme parental expectations on the children of Asian immigrants.
Beauty and the Beast might be a tale as old as time; however, on Sat, Oct 27, 2018, it gets a bold and novel retelling. We chatted with CosParty AD Tess Barao about this unique event to benefit the Heart and Stroke Foundation.
When it comes to annual springtime freebies, what continues to be the best-kept secret in town? Free Comic Book Day, of course. Yes, it’s true… each year, the first Saturday in May is the day when major and minor comic book publishers alike (including Marvel, DC Comics, Image, Dark Horse, Archie and many, many more) create […]
Voices³: Tanya Tagaq + Laakkuluk Williamson Bathory is at once a traditional, contemporary and futuristic performance — and a phenomenal pairing. What seems certain is a powerful, challenging and unique experience.
In Conversation with dancer-choreographer Christopher House about TDT’s 50th anniversary program, GLASS FIELDS, which re-presents his 1983 Glass Houses and 5 diverse new choreographies inspired by it
Hart House Theatre has just launched its final play of the season, TITUS ANDRONICUS, with David Mackett as Titus. Director James Wallis promises a “bloody good time”. And beneath the blood, guts and gore lie themes & tough questions that still resonate.
One Thing Leads to Another. the award-winning immersive, multisensory show for babies, launches YPT’s season, providing proof that children can engage, respond and be enthralled by theatre in infancy.