Ngozi Paul is a familiar name and an audience draw. Her work spans stage and screen in Canada, the US, the UK, and even countries in Africa. And her range is astonishing. While her name is most often associated with the now-classic play and award-winning TV show da Kink in My Hair, her credits are vast. […]
Amelia Sargisson breaks down how SiHP’s approach to King Lear & Twelfth Night as vital, modern texts, along with a PWYC admission, make them truly barrier-free.
Scott Sneddon finds SIHP’s gender-swapping brilliantly effective, making King Lear at once recognizable & surprising, filled with strong performances & rich commentary.